![]() ![]() If you were in post production about five years ago, you were probably all about the app ClipWrap, especially when it came to incompatible QuickTime wrappers like today’s often incompatible AVCHD. EditReady has adopted the ClipWrap functionality as well as transcoding. Keep in mind these are two separate software apps and both need to be purchased for this to work. So now, in addition to using the video scopes, you can batch convert a bunch of clips to an intraframe editing-friendly codec like DNxHR, burn in a LUT and preview it through ScopeBox to see where it hits on your waveform or RGB parade. What’s cool about this is that if you need to do a quick quality control check of your video, looking for illegal color values, and don’t have time or access to a hardware scope like a Tektronix, ScopeBox will work quickly and easily with EditReady on the same computer. ScopeLink, which has been around for a bit, allows ScopeBox to process video through apps like Apple FCP X, Adobe’s Premiere Pro, SpeedGrade and After Effects, and now EditReady. In this latest update to EditReady (v1.4), we get the ability to run our video through ScopeBox via ScopeLink. Playing in the EditReady window will not transmit the signal to ScopeBox. Here is a quick tip to get ScopeBox talking to EditReady: in EditReady you need to be previewing your file by hitting Command + 3 or going to the Clip menu and clicking Open Preview. You can see the technical results of any compression or LUT you are applying in EditReady through ScopeLink. And, as far as ScopeBox is concerned, I’ve been looking to try this out for a while, and now is the perfect time since EditReady now works with ScopeBox via ScopeLink. To this day, EditReady has been the fastest media encoder and on a Mac that I have ever used. ![]() ![]() EditReady is a video transcoder and ScopeBox is a software video scope solution. We are taking a close look at demand for Windows and if that begins to grow in a substantive way, we’ll shift our roadmap.” Oh, well (sigh).įor this review - conducted on my old-ish MacBook Pro - I am covering two of Divergent Media’s latest releases: the Mac-based EditReady 1.4 and ScopeBox 3.5. Most users build out a standalone system to run ScopeBox, and we’ve worked hard to maximize our performance on entry level Mac hardware such as the Mac Mini. We do occasionally get requests to port ScopeBox to Windows, but we don’t have active plans to do so. The tweet said, “Every time a hot, new GPU comes out, I get pushed a tiny bit more toward building a PC.” Because I was so excited at the possibility of it coming out on PC, we reached out to Woodworth, who said this: “As a small company, to date we’ve been focused on making high-quality Mac software. While Divergent still hasn’t made Windows versions of their apps, I did recently see a tweet from EditReady, ScopeBox and ClipWrap developer Mike Woodworth ( in early May that made me think it might be on their radar. The only thing that left me wanting more was the fact it was a Mac-only product. It’s been almost two years since I first reviewed Divergent Media’s video transcoder EditReady version 1.0.2… and I was thoroughly impressed with the speed and ease of use. The only downside is there is a lil bit of expansion happening to the color in ClipWrap and I cannot find something like Clipwrap for the PC side of things.Affordable transcoding and monitoring solutions No heavy CPU transcode needed, just quick rewrap. mov, no transcode needed! It sees the color profiles in resolve 11 lite (both PC and Mac) just fine in that format and I can apply my LUTs and work normally in resolve. If I rewrap the AVCHD files using Clipwrap and keep the h.264 and just move it into a. I really don't like to transcode and since Resolve can see the AVCHD files and even play them if they have a standard Rec 709 color profile, you guys are super, super close! Please resolve this issue in Resolve If I use Adobe Media Encoder to transcode to MXF in win or ProRes422 on Mac.then I seem to be able to use log and wideDR in Resolve with all the wonderful LUTs online for the C100. Any chance of a LUT or something to help us use these WideDR clips too? Thank you for including the C100 into the Davinci workflow! Nothing makes an image PoP like Resolve! I can't see the clips that I shoot in the WideDR profile.which is most of them. So I LOVE the fact I can use my native C100 clips now in DaVinci 11, however.only if I shoot in CLog or Standard profiles. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |